Desi Susanti, a Javanese woman was born in Lampung. Active in theater since she was in high school. She joined Teater Satu Lampung since 2008. Her debut began when she played the monologue Kenang-Kenangan Tentang Perempuan Pemalu adapted from the short story written by W.S Rendra, director Iswadi Pratama. Write a creative process book “Dibalik Terang Cahaya”. Directed and trained campus and school theater since 2012 until now. Some of the performances that have been played include Aruk Gugat, Visa, Kisah-Kisah Yang Mengingatkan, Anak Yang Dikuburkan, Death And The Maiden, Antropodipus, Kursi-Kursi, etc. In 2017 she collaborated with several Asian actors at the Asian Performing Arts Festival in Tokyo. Some collaborative performances include the Acting Salihara Class team and senior actor Slamet Rahardjo with the Amangkurat-Amangkurat text by Goenawan Mohammad, playing the role of the “Perempuan Tua” and directed by Iswadi Pratama, then in early 2019 performed Nyanyi Sunyi Revolusi, a collaboration work with Titimangsa Founfation, producer Happy Salma and also played by Lukman Sardi, Prisia Nasution, Sri Qadariatin and Teater Satu Lampung, script by Ahda Imran, directed by Iswadi Pratama. She plays the role of “Tengku Kamaliah”. The last performance she played was Aruk Gugat The Stupid Acting Method, in Taman Budaya Lampung in December 2019. Until now, she is still intensely studying at Teater Satu.

Desi Susanti perempuan keturunan Jawa, lahir di Lampung. Aktif di Teater sejak duduk di bangku SMA. Bergabung dengan Teater Satu Lampung sejak tahun 2008. Mulai keracunan seni peran sejak bermain monolog “Kenang Kenangan Perempuan Pamalu” naskah adaptasi dari cerpen karya W.S Rendra, Sutradara Iswadi Pratama. Menulis buku catatan proses kreatif “Dibalik terang cahaya”.

Menyutradarai dan melatih teater kampus dan sekolah sejak tahun 2012 hingga sekarang. Beberapa pementasan yang pernah dimainkan antara lain Aruk Gugat, Visa, Kisah-Kisah Yang Mengingatkan, Anak Yang Dikuburkan, Death And The Maiden, Antropodipus, Kursi-Kursi dll. Tahun 2017 ia berkolaborasi dengan beberapa aktor Asia dalam Asian Performing Arts Festival di Tokyo. Beberapa pentas kolaborasi antara lain dengan team Kelas Acting Salihara dan aktor senior Slamet Rahardjo dengan lakon Amangkurat-Amangkurat karya Goenawan Mohammad, berperan sebagai Perempuan Tua dan disutradarai oleh Iswadi Pratama, lalu pada awal 2019 mementaskan Nyanyi Sunyi Revolusi, sebuah karya kolaborasi bersama Titimangsa Founfation, produser Happy Salma bersama Lukman Sardi, Prisia Nasution, Sri Kadariatin dan Teater Satu Lampung, naskah oleh Ahda Imran, sutradara Iswadi Pratama. Dia berperan sebagai Tengku Kamaliah. Lakon terakhir yang ia mainkan adalah  Aruk Gugat The Stupid Acting Method, di Taman Budaya Lampung Desember 2019. Sampai saat ini masih intens berlatih dan belajar di Teater Satu Lampung.